Showing posts with label zombies. Show all posts
Showing posts with label zombies. Show all posts

Wednesday, May 29, 2013

two corpses, caressing

for p.

two bodies traverse the expanse of a bleak surface
turgid tendons, split shins, flayed toes
but still walking
propelled by a hunger surpassing the stomach
as lidless eyes dance among the faces
desperate to find a hollowed out counterpart

two bodies come together with clanging cartilage and vacant stares
empty eyes and lolling tongues
tissue skin sheared from the friction of fingers
gnashing teeth reminiscent of romance
hollow hearts and hands, touching and tearing
clamoring for a clavicle
but only grasping guts
devoid of pleasure but programmed by dim memories
of what this once felt like

two bodies moaning in the murk
assuaging and assaulting, seething and writhing
 falling away from each other in the blood wet world
trying to taste the truth of one body to another
but only tasting tin
drunk on the red wine of blood
full on necrotized flesh
satiated by nothing

one body gasps and screams
and shudders and stumbles
stops
then moves past the other
blood on the mouth, hole in the chest
seeking sanctuary in another skin

one body stands alone
and watches the other shuffle away
filled with a mud soaked memory of pain unidentified
flooding back from the faint fog
no marks on the skin, no bruise to the brain
only an internal hemorrhage

one person bludgeoned by the burden of belonging
recalls the ramifications of respiration
and dies again
 then concedes to the cold dark


and crumbles

Friday, February 15, 2013

zombie vomit bag

"I have heard it said love endures all things, now I know that it's true, 
stronger than the grave, death can't put it out, here I am, the walking dead, 
still next to you..."
-Showbread, George Romero will be at our Wedding

We decorated Valentine bags at work so everyone could put goodies in them.  Everyone decorated their bags with sticker hearts and puff paint, which is all well and good but I wanted to do something a bit different.

 I designed my bag around the Showbread song George Romero will be at our Wedding.  It's about a zombie who vomits up a wedding ring and realizes he ate his wife.  He eventually finds her, zombified, and they stay together, despite them both being dead.  It's about how love can overcome all things, even death.  It's actually a really meaningful message beneath all the entrails. 

I wanted to draw a vomiting zombie on the bag but then I thought I'd put Photoshop to good use and designed the zombie dude in the program and printed him out.  I taped him to the bag, which gave a nice 3D effect.  And instead of just drawing vomit, I made it interactive so you can spin the vomit around.

 I also created a QR code which links to the song and on the back of the bag, I printed the song lyrics.  So you've got your physical, visual, and auditory interaction, which I thought was pretty neat.


Here's what the bag looks like.

Friday, June 24, 2011

book notes #5

I decided to go ahead and use the free proof copy on the novel I wrote for National Novel Writing Month last year.  I didn't have time to edit it or even read over it but, as I mentioned, I thought it might be interesting to print it out just as it was written to see what I could do in such a short length of time.  Then, later on if I decide to edit it seriously, I can resubmit the novel and have it printed out again.  Then, I can compare the first draft to the final product.

The process was incredibly easy.  You just upload the work as a PDF, upload a cover or use their cover creator program, obtain an ISBN number and submit it.  They have to approve all the files before they are ready for you to order the proof.  They said it could take up to 48 hours but I think mine was done in a day.  I ordered the proof copy, put in my discount code and got it for free.  It's usually around 7 dollars plus 3 dollars shipping but I only had to pay the shipping.  And in a few short days, it arrive in my mail!

I would have liked to have created my own cover but as I was pressed for time and running against the free proof expiration, I decided to go ahead and use the websites cover creator.  So, it's not really what I envisioned it looking like (I don't even know what I would envision it looking like) but I think it came out quite nice.  The overall quality is pretty good, too.  For the record, I'm no book aficionado but it looks just as good as something you can pick up at Barnes & Noble.  So, I'm pretty happy with the end result.  I'd be even happier if the book were entirely finished and I had my own cover but to have a physical copy of my first book practically for free, I'm pretty pleased.

Sunday, April 24, 2011

book notes #3

I finished writing my novel last Friday night.  Because I had the day off, I dedicating it to finishing.  I will admit that I probably rushed it a little bit but that's what the second draft is for, eh?

It feels good to know I wrote a book.  It's bittersweet, though.  Anyone can write a book.  Not too many people can write a good one.  Am I one of the good ones?  I suppose time will tell.  For now, all I can do is try to make it as good as I can within my....uh, I hesitate to say...talents.  I think one of the reasons it's taken me so long to write this book and even more so, what's taken me so long to write my memoir, is because I am absolutely terrified that I suck.  It's one thing to sit back and wish that I could be a great writer and animator and overall a great artist but it's another to actually produce a work and put it out there and bomb.  It almost feels safer to wish for future admiration rather than go out and really try for it and fail.  Because what happens when I fail?  Where do I go from there?

I know I have low self-esteem and maybe I don't see how...talented (there's that icky word again) I am but in all honesty, I don't necessarily think it's my low self-esteem at work here.  I just genuinely don't think I'm great.  Maybe I'm not the worst writer in the world.  But, I'm not amazing and for me, if I'm not amazing, what's the point of even trying?  There's so much garbage in the world and just about as much mediocre work clogging up people's heads and I don't really want to add to the junk pile.  Then again, not everything has to be amazing to be influential.  Or maybe I'm just a bad judge of good art.  But art is subjective.  Can you see how complex this whole thing is for me?

I just come across random blogs sometimes and I see how so many people are so much better than me and I think to myself, "These people deserve to have a book out.  Not me."  But, I really enjoy writing.  And if I like it, why shouldn't I continue?  And if someone else likes it, why shouldn't I share it with others?  I guess it goes back to the fear of rejection.  But, people will criticize anyone.  Because art is subjective.  Not everyone is going to like the same piece.

I also hesitate to work on it too hard because I don't want to put so much of myself into the project only for it to utterly fail and cause me to never write another word again.  I know that seems extreme but so are my emotions.  It would just seem like a huge waste to dedicate so much of my time and then I won't sell but three copies.

I started printing out the novel so I could begin editing it but ran out of ink halfway through.  I thought I had an extra ink cartridge but it turns out it was color ink and not black.  It kind of irritated me because I had it all set up and everything but now I'll have to wait until I can get some more ink sometime next week.  I guess it doesn't even matter all that much since I'm going to now focus on fleshing out the characters instead of working on the actual content of the book.  Because I wrote the whole thing in a rush, I don't think I was able to make anyone three dimensional...or believable...or even likable.  That's kind of a big deal to have good, likable characters.

Then, I have to get into plot and dialogue and weave in the twist that I have at the end of the story.  Plus, my closing is kind of weak so I need to work on that.  I have a lot to do.  I'd love to post snippets of the story but because everything is so rough right now, I'd rather wait until it's a bit more polished.

It has come to my attention that I might not have even provided a basic synopsis for the story.  I really thought that I had but I guess I have not.  It's a pretty basic premise.  A guy named Chris and his girlfriend named Jenny are attending a Zombie walk when Chris is bitten by one of the attendees.  At first he and his girlfriend shrug it off as an overzealous zombie fan but then Chris starts getting sick.  As his health rapidly declines, he begins to think he was bitten by a real zombie.  And there you have it.  I didn't want to go too far over my head so I kept it simple with two main characters and their situation.  I figured since this was my first foray into novel-writing, I shouldn't include too many characters or interlocking stories because then I'd just be setting myself up for a big mess and most likely a big failure.

I just need some talent.  And motivation.  And Ritalin.

Sunday, April 10, 2011

book notes #2

I wrote 5,538 words yesterday.  It's about twice as much as I've ever written in a day.  I'm pretty proud of myself.  Of course, it did take all day.  I wrote a little bit, watched television, ate, surfed the web, wrote some more, and then repeated the process until falling asleep. 

Because I have been off this weekend, I suppose I haven't been so stressed out and that has allowed me to have a clear mind to write.  That's another reason I hate my job.  It's so mind numbing and all consuming that even when my shift is over, all that residual anger and frustration and fatigue comes home with me and all I want to do is go to sleep, but I don't go to sleep because the faster I go to sleep, the faster I'll be back at work.  I need a bigger buffer zone than that.  But since I'm too tired to write, I just sit around and do nothing productive.  I hate that I'm that way but I can't think of a better solution so I just kind of coast for now.

It seems that I can write until I hit some sort of wall with the story.  I'm kind of trying to let the story tell itself without putting too many restrictions on the direction, therefore the story is going its own way and that often leads to bumps in the road.  Depending on how much energy I have or if I'm thinking clearly, I can overcome those obstacles rather easily or I'll step away from the writing and not come back until a week or two later.  I think the combination of work and hitting one of those rough patches made me hesitant to get back into the swing of things.  In fact, that's why this whole process has taken so long.  I managed to write a little over 50,000 words just in the month of November last year and since then it's taken me 4 months to write a little over 28,000 words.  That's not very good.  I think if only I could have continued at that pace, I'd be done writing and well into editing by now.  I suppose I shouldn't beat myself up about it too much.  It is my first book and I am battling outside factors.  Just the fact that I'm working on this thing almost consistently is a good sign.  I think I'm pretty close to finishing the story and it's taken less than a year.  Way better than the memoir that I've been putting off for years now.

As I said, the story seems to be shaping itself and I like that.  I feel uncomfortable trying to change too much.  It's almost as if maybe my subconscious needs to tell the story a certain way so I'm kind of letting it take the reigns.  I feel like if I get too involved, it might muck it all up and it won't be as good as it would be had I just let it all happen.  Plus, so far I'm pleased with the way things have happened.  I'll be writing and suddenly I'll think, "Hey, this is the point where this needs to happen."  And then it does and it opens up wonderful new avenues for the characters to travel and it all feels very organic and natural and I like it like that..  It's actually kind of fun to see how the story unfolds as I write it instead of having this rigid outline that I have to strictly follow.

I was hoping to be super close to finishing by this weekend.  I was going to write every day this week and try to come close to the conclusion by tonight.  Well, I didn't even start until yesterday so I'm way behind but I think I wrote just about as much in that one day as I would have over the week so it's kind of worked out.  I just hope that today is as productive as yesterday was.

My only real problem now, and this is a minor one, is I have no idea what to name the book.  And that's really weird because I am usually really good at coming up with titles for the stuff I write.  In fact, I'll come up with a title in my head and then base what I write around the title.  I guess I'm a title first kind of guy.  I'm not saying I'm great at titles but I think I am.  I remember my nonfiction writing professor in college didn't like any of my essays' titles.  He said they were too cutesy.  I would agree with him but I like cutesy so it works for me. 

It is bothering me, though.  I'd like to think that maybe something will happen in the story that I can pluck a title from.  I love it when I read a book with a sort of obscure title that you're not sure how it relates to the book but then toward the middle or end of the book the title comes up in a character's dialogue with another or it comes from a memory or an observation and suddenly it all comes together and makes sense. I love that.  I hope I can recreate that. 

This is so lame.  The tentative title is Decay.  I will not be sticking with that if I can help it.  I feel like it's hard to name a zombie book without stepping on the toes of every other zombie book title out there.  Anything to do with rotting or deterioration has pretty much already been taken.  And let's not get started on how many ...of the Dead titles there are.  Plus, there's no zip to my title.  There's nothing to hook the reader into reading it or buying it.  Decay?  Where's the creativity?  It's kind of frustrating because I'm normally so good at coming up with titles but this one is really escaping me.

There's also a part of me that wants to discuss the book but at the same time that would spoil some of the surprises that pop up throughout the story.  I'd also like someone to read a rough draft just to give me pointers but I don't want to ruin anything for anyone.  In a perfect world, the story would be perfect and ready for everyone to read and enjoy without having to point out my (probably numerous) missteps.  But, I really do think I need some outside help.  This is my first book and my first foray into the world of large-scale fiction so I'm probably making a nice mess of things without even realizing it.  Sure, I've written short stories but there's a world of difference between short stories and novels.  I think I'll try to push the story as far as I can until I feel like it's decent enough to show and hopefully whoever reads it will still be entertained, even if they are proofing it for me. 

Tuesday, January 18, 2011

book notes #1

So far, I've written 6,8714 words and approximately 149 pages for my book.  Christmas kind of slowed me down and then I got out of the habit of writing daily.  I could be finished with the first draft by now if I never would have stopped.  Now, I'm finding it slightly difficult to get back into the mood of the story.  I'm also at a point where I don't know how to continue.  I had an original outline but things have changed slightly and now I'm not sure if continuing in the intended path will make any sense.  Frankly, I haven't given myself the time or energy to come up with a different direction.

So, I have to wonder, when you plan on writing something, how much should you stick to the plan and how much should you allow the story to tell itself?

I've always been a pretty big fan of natural, organically flowing material.  I've never been big into planning, whether it was with drawing, animating or writing.  Sure, I'll have a general outline of what I want to happen.  I think some structure is important, otherwise you'll run the risk of running way too long and getting off track of the intended message.  But, too much structure seems to stifle creativity and could possibly interrupt a certain flow as well.

I think the thing that drives me crazy is the unlimited possibilities that present themselves when creating something.  You can go anywhere, do anything.  While these endless possibilities are wonderful, they are also stressful because when you finally choose your path, you have to wonder if there was a better road out there.  Are you choosing the best possible scenario?  How will you ever know?  Art is an intricate maze of possibility.  There are trillions of ways to get out but which one will be the most gratifying?

As I write this story, there are several possibilities that are starting to sprout up.  I had originally intended the story to be about a guy who believes he is turning into a zombie.  I wanted to share the perspectives from the guy and his girlfriend.  Yet, as I wrote, I realized I was more inside the girl's head than the guy's.  It's actually turning more into her story than it is his and I don't know if that's good or bad.

I think there must be some reason why my head decided to dictate the story the way it did.  If this is my creativity taking over, should I be so quick to negate it by trying to sway myself back to my original plan?  Sometimes plans are good until you are knee deep into the situation you had so carefully planned out.  You're out in the trenches and you realize your plan no longer applies to your predicament.

The most appropriate solution is compromise.  I suppose I should put a loose leash on my outline.  I guess I'll try to follow the basic elements while allowing the story to tell itself.  I don't want it to feel manufactured.  I want it to flow.  I want the characters motivations and actions to be based on their experiences, conversations, feelings rather than just to get from point A to point B.

And the more I write, the more I'm having ideas, ideas that differ from the original plan.  Sure, that's a good thing.  There's no reason to stick to a plan if you come up with a better one but it also complicates things, causes things to have to be changed around.  Makes things messy.  Things are messy enough on their own.  And being such an amateur, these changes are scary.  My outline was safe and I felt good writing within the lines of what I knew I wanted to happen.  Exploring these new ideas, however, leave some situations open and unpredictable.

I guess I'm just scared.  Maybe this book has a lot of potential, some decent ideas, but if I don't execute it right, I'll fail and no one will ever believe I can write anything good again.  And I'll always wonder, "Well, if I would have done things differently, had the characters do one thing instead of the other, it might have made all the difference."  It's very complicated to try to unfold a story, especially when it doesn't come out how you intended, especially when you feel you've lost control of your own creation.  Then again, too much control is constricting.

All I can do is treat this first book as a learning experience.  Just get it done, make mistakes, learn from them and write another one and hope I can do better.

Sunday, October 31, 2010

The Road in Red: One Flesh

"My will is at God’s hand, never within man’s teeth..."
-The Devil Wears Prada, Revive

Tears of joy flooded Noah’s eyes.  Relief swelled inside him like a warm bath.  He tucked the cane underneath his arm and put his face in his hands.  He had made it.  He had found his home.  Noah quickly wiped his hot cheeks with his palms and sniffed up the loosened snot from his nose.  No, he still had to go inside, still had to make it to the doors.  He hadn't made it yet.  He wasn't safe until he had passed through the threshold, until he had a solid barrier between him and the dead world outside.  The house was still half a mile away.  Being as sick and injured as Noah was, that half a mile felt like fifty.  The warm bath water relief turned ice cold as the realization that he might not make it came over him.  His heart could give out at any time.  Exhaustion was clawing at him.  Hunger was pulling his stomach into the dirt.  Put his home pulled him forward.

Noah walked as far as he could until the pain in his thigh took him to the ground.  It was as if someone had shoved a hot poker right through his flesh to the bone.  Noah tried not to scream, waited for the wave of pain to cease like it normally did, but it did not alleviate.  Sweat poured from Noah’s body causing the dirt to stick to his chest and stomach.  Noah rolled over on his back and could not hold in the hurt any longer.  The pain was not subsiding, only increasing in intensity.  He screamed out in absolute agony.  More liquid dribbled from the corners of his mouth.  The pain multiplied at an alarming rate and even worse, began to spread.  Noah could actually feel the disease of the bite worm its way down his entire leg and up into his groin, other leg and stomach.  It took hold of his testicles and intestines and squeezed.  It felt like everything was being blending in his body, liquified.  It was as if piranhas were inside of him, eating away at his insides, swimming and scurrying up and down the lower half of his body.

Noah fought the pain and turned over onto his stomach.  He began to crawl.  Guttural screeches of misery filled the clear sky and called the creatures to him.

Noah felt chilled to the bone despite the radiating heat of the sun.  The breeze was gone.  The rain was only a memory.  There was nothing and no one to help him now.  Goosebumps sprung along his body and raised the hair on his arms.  Noah continued to crawl, the dirt and rocks scratching at his nipples, his hair clinging to his forehead like a watery glue.  Noah crawled and crawled and seemed to make no progress at all.  He didn't even know if he was moving or imagining himself inching closer to his home.  Noah’s eyes began to cross and his vision started to blur and go black.  The pain came in waves of terrible to excruciating.  The painful poison spread completely to Noah’s legs and up into his chest.  Noah involuntarily vomited a milky yellow bile.  It heaved up in ropey strands, his stomach contracted so hard a rip of pain sliced through his torso and accompanied the pain that was already there.  The bile bubbled in the dirt.  Small particles were floating in it.  Noah crawled through the substance.

In the distance, he could hear the people coming again.  The dead people.  The things.  Maybe one of them was the lady with the tongue?  Had the wicked witch melted in the rain or was she one of the survivors?  Had he shot her, stomped her with his foot or cane?  He couldn't remember anymore.  Noah craned his neck back and with his limited vision, he could see the group lurching up ahead of him.  He was so close to home but he would never make it.  This was it.  They were all around him in every direction and he could not stand and fight.  He was practically dead.  What was going to get him first?  The existent bite mark or another bite from one of them?  Maybe they only wanted fresh meat?  Ever rational, Noah wondered if maybe they'd look over him as damaged, used up, and would go about their way?  Is it going to hurt when they bite into me? he wondered.  How silly a thought.  He was already in so much pain nothing would make it worse.   

Light me on fire, peel off my skin, pluck out my eyeballs.  It's all nothing compared to...this.  This is how it's going to end, after everything.  After making it so close.  God, why?  Why do you let me suffer so much?  Just let me go home or kill me now.  Take me before they do.  

Where are you?  Whereareyou...

Noah saw something dancing in his peripheral vision.  He looked over and it revealed itself to be a fairy.  The tiny woman's skin was made of silk and her wings of glitter.  She was snow white and naked, her breasts heaving as she flew around him.  The wings buzzed in his ear as she flew around his head.  She caressed his chin and ear and quietly sang to him.  He reached out to touch her and as he did, she dissolved into a million particles.

I'm losing my mind, Noah thought.  The infection was starting to reach his brain.  Could he trust what he was seeing anymore?  Were these people even real or was he imaging them as well?  The moaning from the dead grew in range, twisting itself into a kind of song.  The trees above Noah danced and shook their branches to the morbid music that was going to be the death of him.  Sunlight came down, trickled through the moving branches, and resembled the sweeping points of light from a disco ball.  This was all a production, an elaborate musical number that would accompany his death.  The world was putting on one last show before he bowed out.  Noah turned onto his back again and slid his hand into his left pocket.  He looked up and saw a group of them heading his way.  The sun was shining directly behind them, their heads pitch black against the blinding sun, a halo of radiance setting their skulls aglow.

They looked like angels.

Noah blinked through teary eyes.  Three woman, one man and two that were indistinguishable.  They were fresh.  No missing body parts, no gashes or lacerations.  Some of them still looked human.  Maybe they were.  Maybe they were coming to save him.  But the groans told him different. 

Whereareyouwhereareyouwhereareyou...

Noah reached for the familiar lump and pulled it out of his pocket.  He raised the small box to his eye level.  He opened it and smiled.  The sun shone brightly on the elegant ring that sat safely tucked inside, untarnished.  The sparkle carried his mind off into his memories, the one place the sickness had yet to reach, the only scrap of safety he had left.

Sunday, October 24, 2010

The Road in Red: Alone

“Oh, God!” Noah screamed.

Surrounded by dead bodies that were closing in all around him,  Noah realized there was no way to break through their rotted line of flesh.  The man and woman and their followers were closing in behind him and the new group wasn’t too far ahead of him.  Noah only had two bullets left, not even enough to put a dent in either group.  For a second, Noah thought that he should just take his chances and jump into the woods but quickly tore that idea from his temples.  The woods were too dense, too full of hiding places for those people.  They could be behind any tree, ready to grab him by the arm or neck and pull him down and that would be the end.  Noah then thought he could tackle them, break through their line.  The ones ahead looked a lot frailer than the ones behind him.  They had been dead for a long time.  Maybe they’d go down easily.  But what if they didn’t?  He could handle one but if two or three of them grabbed him all at once, he wouldn’t be able to fight them off, especially with the throbbing in his leg that was slowly crippling him. 

Noah stood there, not knowing what to do.  His mind raced but he couldn't think of anything in particular.  In an attempt to come up with a split second solution, he froze as a trillion other things blurred past the eyes of his mind.  Looking down, Noah noticed there were no tree limbs or heavy rocks for him to use, nothing to help him.  The rain began to hit his head harder, fatter drops of water splashing off his nose and hands.  Noah pulled out his gun.  With no more time to organize a surefire strategy, he decided to shoot the ones closest to him and hope they’d go down.  With enough luck, they would create a hole large enough for him to squeeze through.  The odds weren’t good but Noah was battling a sudden onset of exhaustion, fear and tremendous pain that wouldn't allow for a better plan.  The rain spread out and came down harder, drenching Noah and making visibility low.  The groans of the people were drowned out by the falling rain, splashing down on everything, turning the ground into slippery mud and stifling Noah’s concentration. 

One of the men approached, staggered, lunged his red hands at Noah, his mouth open, ready to receive Noah’s flesh. 

"Father, forgive them; forgive me," Noah said and with a flash of light, he shot the man in the face.  The man went down in a wet heap on the ground.  Noah aimed for the next person in line.  It  was a teenage boy not much younger than him, his throat torn open, his Adam's apple dangling onto his chest with every soggy step.  Noah raised his gun to the teenager and as he concentrated on the face of the person he was going to kill, Noah saw that the hair on his head was falling out, being washed away by the hard rain.  Noah’s eyebrows flared up in confusion.  In a matter of moments, the boy's nose fell right off his face.  His lips and cheeks were next, sloughing off his skull like wet tissue paper.  Soaked lumps of rotted meat slid off the teenager, splattering on the ground that was turning into thick mud.  Splat, plop, splash.  His outstretched arm, wet and full of protruding veins broke off at the elbow and fell with another wet thud.  Around him, the other people were also feeling the effects of the falling water.  One severely decomposed man’s head fell completely off his body, sending him to the mud with a sickening plop.

It was the rain.

Suddenly, Noah remembered what his grandmother had told him. 

“The rain is only God’s tears, sugar.  It’s His way of letting us know He’s watching over us.  When the world has become too wicked, the Lord becomes sad and cries.  His tears fall from Heaven and those tears wash away all the bad.  When the rain dries up, man's sin has been cleansed and everything is made good again.”

Wash away all the bad.

One by one, the dead people collapsed and did not get back up.  They tried but the muscles that moved them were disintegrating.  They were becoming skeletal, the hard rain stripping all the flesh from them, the rotting smell of death and fat melting in the mud.  The rain fell intensely and Noah thought he heard a clap of thunder.  Or maybe it was a faraway gunshot.  Out of the estimated fifteen dead people, all but three had fallen, writhing in the mud, bellowing, dying again.  Enough were down to allow for Noah's escape.  He started to run through the mud and quickly slipped.  His legs flew out from underneath him and he fell on his side with a hard thud, right onto the bite wound.  Despite the softening blanket of mud, the ground beneath was still hard and provided no cushion for Noah's fall.  Pain ripped through Noah’s leg like white hot lightning and Noah screamed with abandon.  Rain fell into his open mouth, momentarily choking him. 

After a few moments of cradling himself in the mud, Noah collected himself.  The three dead people were still after him.  He had to get up.  He looked behind him to see the dead slipping and sliding in the mud.  One wasn't wearing shoes.  He couldn't tell if it was a man or a woman.  It also slipped in the mud and upon impact, its left leg fell off at the knee and its left arm fell off at the shoulder.  The others slid clumsily, trying to gain traction while keeping their focus on him.  If the threat of being eaten wasn't so close, Noah might have considered this comical.  If he weren't so exhausted, he might have laughed.  The dead thing on the ground pulled itself through the mud with its one good arm.  The other two were still coming, their faces slowly melting under the merciful rain.  Noah got back up and continued to run.  Their bodies fell out of view but their moaning followed Noah the whole way.

Sunday, October 17, 2010

The Road in Red: Splinter Group

The lady with no jaw was coming for Noah.

She looked iridescent and ghostly in the limited light that struggled to break through the clouds.  Noah groped at his pockets.  The gun was in his right, the other item in his left.  He surveyed the ground beneath him.  Spotting a reasonably large tree limb, Noah picked it up and went to meet the woman. 

He found her, her arms outstretched, her tongue lapping at her teeth, her legs struggling to keep up with her urge to feed.  Noah's throat tightened.  His lower lids began to sting with the saline that was trying to crawl through.  His cheeks flushed.  His chest turned to lead.  Pity washed over Noah.  This woman so desperately wanted to eat him.  The one eye she had widened, glistening blue like the ocean, the depth of her hunger unfathomable.  Her tongue wagged at the sight of his skin.  If she had any lips, she might have been smiling. 

Noah had to do this.  This woman, this soccer mom or president of some club, this daughter or wife, this human being needed to be killed for her own peace.  Kill or be killed.  He hated killing them.  He just had to.  He thought about the old man.  He thought about the man before him, the two women, the child.  But with the exception of the old man, they were all sanitized by distance, dispatched by his gun.  He did not have the luxury of a bucketful of bullets anymore.  He had to get his hands dirty again. 

Please, God, forgive me.  Where was Gran?  Where were those cookies?  The woman got closer. 

No, I can't think of this now. 

Noah's mind tried to take him away from the happenings, an instant involuntary self-preservation mechanism.  He would go insane, snap if he had to deal with what he was going to have to do again.  His sanity was on the brink of breaking but he was also within teeth's reach of death.  Noah had to overcome his fear, his reservations, his own mind.  He breathed in the deep, death-filled air in a vain attempt to calm himself for the job at hand, to forget about the wonderful times that once brought him peace.  Those times were done.  Vanished forever in a fog of dead flesh.  Noah readied the tree limb.  He cleared out his mind and focused all thoughts on his swing.

But as the woman approached, Noah heard a shuffling from behind him.

Sunday, October 10, 2010

The Road in Red: Sympathy for the Devil

A few yards ahead, Noah spotted one of them.  It was a woman.  Her back was facing him.  She was shuffling along the edge of the road among the opening of the trees.  Noah took in a deep breath and fixed his eyes to the back of her head.  He grabbed his gun from his pants and ran his hand along his left front pocket.  Still there.  It was comforting, reassuring, motivating him to continue forward to reach the end of this journey, of all this madness.  Noah slowed his pace, picking up each foot high off the ground so as not to shuffle and cause noise.  He inspected the ground before stepping to avoid any rocks or twigs.  His eyes took hold of the woman’s head as he slowly inched his way toward her.  Stepping carefully.  Slowly.  Methodically.  The woman just stood there, sometimes leaning one way or the other but mostly just standing still.  Noah had wished she’d walk around, at least for a bit, so that the crunching of her feet in the grass would somehow mask the sound of his own footsteps.  God, what was in front of that tangled mess of hair?  He tried to subdue his imagination, to stop the possible images of the woman's torn face from flooding the front of his mind.  He had seen some terrible things in the past few days...or was it weeks...but he still hadn't gotten used to the human carnage that still churned his stomach.  He had his gun and he could just shoot her easily but he didn’t want to waste bullets if he didn’t have to.  He only had four in the chamber and no more.  What if he needed them when he found himself in a more desperate situation?  What if the bullet he used on this woman could be used for when one of those people was right on top of him?  And there was no telling how much longer he would have to walk.  How many times had he driven down this desolate dirt road and never paid attention to the length of the drive, to the road signs, to the landmarks?  He had no idea how far away he was from safety and he cursed his careless ways.  He had never paid attention before but now he was making up for it, focusing all of his energy and concentration on his surroundings.  He couldn’t let another person sneak up on him like that old man.  He felt blessed to survive one close contact encounter.  He wasn't sure he'd survive another. 

Noah inched his way beside the woman.  Several feet of dirt separated them.  The closer Noah got, the more he could hear the woman.  She was moaning.  Was she is pain?  Was she tired?  The moaning became louder, more unsettling as he passed.  There was a wetness to the noise, as if she was gargling mud.  Moist.  Drowning in her own fluid.  Yet, alive.  A part of him wanted to shoot this woman, to put her out of her misery, to relieve her of the burden of her hunger.  He contemplated the woman just like he began to contemplate the old man.  Then, he stopped himself.  No, he had no time.  He couldn’t lose focus.  Besides, he didn’t want to kill anyone if he didn’t have to.  It felt filthy, sinful.  Noah stopped momentarily, lost in the wave of thoughts that seized his body and locked it into place.  These people had to be dead, right?  Shooting them would not be sinful.  I am not committing murder, he tried to rationalize.  But, there was no rationalization left.  Nothing made sense anymore.  The very nature of life and death was done, no more.  None of the rules of humanity or morality existed once the first dead body woke up.  Now, there was just survival.  There was just making it to the end alive.  Noah stared at the back of the woman's head, not looking at her but through her, allowing his mind to take him out of the dirt road and into some semblance of balance, into something that he could wrap himself in, a blanket of sanity, security. 

And then she shifted.

Sunday, October 3, 2010

The Road in Red: Of Rain and Rapture

A work of fiction presented in five parts.

“Now this will be the plague with which the Lord will strike all the peoples who have gone to war against Jerusalem; their flesh will rot while they stand on their feet, and their eyes will rot in their sockets, and their tongues will rot in their mouth.  On that day a large-scale panic from the Lord will spread among them. One person will grab the hand of another, and one will attack the other.”
- Zechariah 14:12

Noah felt the pain of the old man’s bite rip through his thigh, as if someone had injected boiling water into the veins of his leg.  The filthy old man managed to break Noah’s skin despite the thick denim material of his jeans.  Noah howled in pain, which only seemed to make the old man sink his teeth harder, deeper, into Noah’s thigh.  His withering arms flailed at Noah, tearing at his shirt and jeans.  Noah reciprocated, jerking his body and kicking up his legs the best he could, fighting the dead weight of the old man.  Noah hit the man in the head with his fists, clawed up clumps of dirt and threw them in the man’s eyes but it didn’t stop him.  The man held his grip on Noah’s thigh.  Noah managed to inch himself closer to the gun that was bucked out of his hand when the man tackled him.  He kicked and clawed and screamed his way to the gun, wrapped his finger around the trigger and then aimed it at the hungry old man’s face.  He started to squeeze the trigger but thought better of it.  He didn’t want to waste any bullets if he didn’t need to.  Instead, he took the end of the gun and jammed it into the old man’s ear.  The old man immediately let go of Noah’s thigh, a ropey string of slime and saliva coming off the bite.  The old man, too, howled in pain, an inhumanly low gust of agony that escaped his bloodied lips.  Noah repeatedly struck the old man in the ear and face.  His skull didn’t give as easily as Noah had hoped.  He was a fresh one.  Noah freed his good leg from under the old man and kicked him in the chest with all of his might.  The old man fell back and Noah took advantage of the man's temporary disorientation and pounced on him, straddling him to keep him pinned to the ground.  Noah raised the gun in the air and slammed it down onto the old man’s face, crushing his nose and releasing a spray of coagulated blood and cartilage.  The gun came down again and again, slowly caving in the old man’s face until it was nothing more than fragile bone covered in a thick mass of blackened blood and disassembled brain matter.  His arms and legs fell to the ground.  Shaking.  Twitching.  Still.  Noah’s chest heaved in a rush of adrenaline and exhaustion.  Noah stayed on top of the man for a few minutes, allowing his breath and heart beat to slow before using the old man's shirt to clean the mess off of his gun.

Noah got off the old man and stumbled to his feet.  He wiped the sweat from his face with his forearm.  Looking down, Noah contemplated the bloody mess that once used to be a man.  No, he didn’t have time for that.  Noah felt a rush of nausea hit his stomach but he willed it away.  He pulled his pants down to his knees and inspected the damage.  Jagged red marks formed an ellipse right between Noah’s kneecap and groin.  The old man hadn’t bitten too deep or managed to tear away any flesh but it still stung like hell.  Small scratches from the old man's fingernails were scattered about Noah's arms.  Most of them weren't deep, just superficial and slightly raised.  His stomach was sore on the outside and nauseated inward.  No time to be concerned.  Noah had to get back to his destination.  He’d be okay if he could just make it there.

The dirt road seemed to stretch into oblivion, when in reality it was just a few more miles.  Noah was flanked on both sides by the density of trees, their trunks and branches and twigs intermingling and creating a web of cover that was both a good and a bad thing.  They provided good cover and protection for him but also for them.  Noah could see nothing but straight ahead, which didn’t bother him in the slightest.  It made his destination easier knowing he wouldn’t have any detours or distractions.  It also made it more dangerous.  Those people could be hiding behind any tree, lumbering around in the tall grass and he would never know until they were upon him.  That was the case with the old man whose skull he had just bashed in.  Noah lost his concentration for only a few minutes.  He wasn’t paying attention, got to close to the trees and the man lept at him.  Noah silently swore at himself for being so careless, for not being alert enough.  He ran his hand over the lump in his front left pocket.  It hadn’t fallen out during the fall.  Good.

The light from the sun that was illuminating his path was becoming dimmer.  The sky was graying.  Clouds were filling in the blank spaces in the sky, meshing the red dirt with the gray sky into a muddled brown.  The air was dusky and dark.  This was good.  He had heard they didn’t have good eyesight.  Unfortunately, neither did he.  Noah had been walking for so long.  How long, he didn't know.  The days were flowing into one another with the same monotonous activities of walking and evading, sometimes running and defending against those people.  Monday, Tuesday, Deadday, Rotday, one giant day of the week, one giant week of the month, one giant lifetime of oblivion.  It would have been nice to sit somewhere but to sit in the road would have been stupid.  There was no shelter.  He had to move quickly through the darkening sky.  It looked like it was about to rain. 

“Fantastic,” Noah said out loud, right before putting his hand over his mouth.  His eyes widened in fright. 

No sounds! he reminded himself.  It was bad enough that he had to walk the dirt road filled with crunchy leaves and twigs.  He didn’t need to bring any more attention to himself by speaking.  Those people could hear him and would for him.  They were attracted to noise and movement.  Noah calmed himself down and continued to walk the path as it continued to blur in front of him.  Rain was definitely coming.  Just how soon?  Noah felt an unease come over his skin, sinking into his stomach and coming up through his throat, thickening his tongue and closing off the air in his lungs.  He shuddered.

Thursday, June 10, 2010

I Walked with a Zombie

i wandered this road
caked in the gravel
that chipped at my toes
and filleted my feet
blood left in the wake of my walk
sending up a scent for him to swallow
an attraction born from crimson

he came to me
and we walked together
his charm captured my trust
so I took his hand
in hopes for guidance
but he gripped my fingers
and crushed my carpals

his mouth pooled with blood
as my own flowed from my fingers
my eyes widened in horror
when i realized his were glazed over

i struggled to get away
clawing from his reach
and tearing at his face
i tore at his shirt
and as the flesh fell away
i saw the vacant hole in his chest

i turned and ran
barely escaping
as he leapt forward
in a feral frenzy

i fell into the arms of a beautiful girl
who took me in her grasp
and comforted me
my blood soaked her shirt
and she stared at me
with a gorgeous gaze
i finally felt safe in her eyes
as she kissed my lips
then tore them from my face
with her rotted teeth
a cascade of crimson
spewed from my severed skin
and i saw her eyes were vacant as well

i escaped her clutches
but couldn’t run far
for the dead were all around me
they closed in
and took the rest of my fingers
ripped off my clothing
and tore out my heart

i slipped into an undead slumber
and woke with an insatiable hunger
they took the best of me
my fingers
my lips
my humanity
now i’m nothing
but a walking corpse
no lips for passion
no soul for remorse
no heart for love
no hands for art
no head for reason
they tore it apart

now all i have
is the capacity to kill
i must, although i’m filled
with disgust
the desire to devour
is my only will

although i was dead
a thought dawned in my head
my evisceration born a revelation

aren’t we all just dead anyway?

the world will always catch up
and shut us down
like a virus through the blood
that makes us bitter
and filled with a red rage

don’t we all lash out
at everyone around us
don’t we all tear each other apart
for our own sustenance?

we shuffle toward our futures
but our futures are filled with blood
black and bitter
and we hurt each other
to make it feel better

but we're only making it worse
it’s a cycle that spreads
like a disease that funnels
through the veins

and we’ll all be affected
and infected
eventually
until we’re all torn
limb from limb

Saturday, May 22, 2010

Zombie Honeymoon (2004) Review

In Sickness and in Health

Denise and Danny are newlyweds who are starting their new lives as one flesh.  Unfortunately, things get messy when Danny is attacked by a zombie and slowly turns into one.  Will Denise stick with Danny, even when he begins to rot and his hunger for human flesh grows too strong to ignore?

This is probably the first romantic zombie movie I've ever seen and definitely the first zombie movie that's based on true events.  Well, the zombie part isn't true but the characters of Denise and Danny are based on the director's real life sister and brother-in-law.  In fact, the entire movie reflects their real lives together.  The real Danny and Denise were newly weds who quit their jobs to move to Portugal.  Danny was a surfer and wanted to live where the waves were beautiful and accessible.  Right before they were supposed to leave, Danny died in a surfing accident.  The director created this movie as a valentine for his sister and her strength and ability to get through such a tragic loss.

As with the real people, Denise and Danny quit their jobs and beginning to build a married life together.  One day, at the beach, a zombie emerges from the waves and attacks Danny.  He dies in the hospital but then comes back to life.  Mistaken for a miracle, Danny is actually slowly undergoing a transformation into a zombie.  Soon, it becomes apparent that Danny is not quite okay when Denise catches him munching on a fat neighbor.  From then on, Denise struggles with this new found kink in their plan as Danny struggles (and often fails) not to eat people.

What I liked about this movie was the character development.  I really cared about Denise and Danny and really rooted for them.  The film wouldn't have worked if these two characters weren't likable.  The chemistry was great between the two leads as well.  I could really see the connection between them and almost read the heartbreak on Denise's face when the ugly truth about Danny's condition came out.  In fact, the movie slowly burns along and the zombie action doesn't take place until about halfway through the movie.  The director took the time for us to get to know these people and care about them before plunging them into terror.

Even the zombie mayhem wasn't overly done.  This isn't a typical zombie splatter fest.  Yes, there as blood and even a bit of gore but it was controlled and not done just for the sake of gore.  The focus here was not on eating hearts, but breaking them.  

My only problem with the movie was the uneven mix of drama, comedy and horror.  For example, after Denise catches Danny during one of his all you can eat body buffets, it is very much played out like he's been cheating on her.  Denise is frightened and disgusted and in a bit of shock.  Danny, covered in blood, tries to calm her down and explain his actions to her.  The tension is real and thick.  After a great deal of hesitation on Denise's part, she decides to work it out with Danny.  Suddenly, the couple's friends ring their doorbell and from there they launch into a bumbling, comedic clean up scene where they try to wash the blood off the floor and hide the dead body in the bathroom.  These kinds of jostling transitions in mood didn't feel right to me.  It almost felt like the flick didn't know where to go with its direction and so it went everywhere.  That's really only a minor peeve, though.  Overall, a great flick and a romantic and kind of sad one as well.
If you like your love notes written with blood and brain matter, you might enjoy this movie.

4 out of 5.

Friday, November 13, 2009

Phase 2 Friday: Undead Dash

I was recently asked to contribute a weekly article for a new website that my roommate from college is involved in.  The website is called Phase 2 Studio and as of now, it consists of cartoon strips, a radio show, movie and video game reviews, articles and now, me as well!  It's still getting off the ground so there's not a whole lot to explore but since I'm such a gentleman, I thought I'd point you directly to my article instead of posting it here so I can help send them some more traffic!

What was my first piece about?  Zombies, of course!

Check it out here!  Thanks!

Saturday, October 31, 2009

Corpse Crush

A work of fiction, written February 2007.


I knew he’d be here. He always adored football. He’s with his friends now, practicing. And he’s just as handsome as when I saw him a few days ago. Or was it a few weeks? I forget. Time seems meaningless around him. Actually, everything seems meaningless around him, except for his arms around me. I love to watch him play. I believe I could stay here forever and just watch his body move. It’s hot today. Maybe he’ll peel off his shirt. He is so gorgeous. Brown hair. Beautiful brown eyes. Tall. Dark. Handsome. What more could anyone ask for? So strong, too, the way his muscles flex when he moves. And that tooth. Cutest thing in the world.

Millie had repeated Greg’s description in her mind a thousand times. Although her head was fuzzy, she knew she’d never forget his face or where to find him. As Millie would repeat the specifics of Greg’s face, she would always find something new about him that made her fall in love all over again. This time it was the trail of hair that bloomed on his bellybutton and snaked its way down his abdomen and into his underwear. Millie had caught a glimpse of it when Greg had jumped up and extended his arms to catch the ball, his shirt lifting up in the process. Millie had seen him shirtless before and always noticed the hair but something about this time made it particularly sexy. It was the teasing aspect that turned her on. Just a glimpse of that hair that lead to other places. Millie found herself falling in love with every inch of Greg’s body, even the inches she didn’t know about yet.

Millie stood on the outskirts of her high school football field, safely behind the diamond patterned fence. She watched as Greg played football with a few of his friends. This became a routine for Millie. At least three times a week, she would pass by the football field after school to see if Greg was there. Sometimes he was and sometimes he wasn’t. He and his friends didn’t have a set schedule to play, only when the mood struck them or one of them didn’t have to go to work. When he wasn’t there, an ache of disappointment would fill Millie’s insides. Sometimes other girls would stay after school and join Milie in watching Greg play, although they never actually joined her. They would stand in her general area, sometimes smile at her, but never talk to her. Millie didn’t mind. She knew she was Greg’s biggest fan, that the bubble headed blondes could never love him like she did. No, not in the slightest. It was this fact that kept Millie from getting jealous of the prettier, skinnier girls.

Not that Millie was ugly or fat. She just lacked a little self confidence and thus, only felt that way. In fact, Millie was quite cute, if not a little plain. She kept her strawberry blond hair a little past her shoulders, mostly always straight and parted down the middle. Millie didn’t wear makeup as she always felt fake under it and a bit clownish. The reason could be that Millie was never taught how to apply makeup correctly. She wouldn’t dare ask her mother because she was prone to applying too much makeup herself. And Millie didn’t have any girl friends so she never bothered. And she didn’t need to. Millie’s complexion was fresh and creamy, a welcome change from her bout with acne she had had a few years before. Millie always looked neat and clean but never went out of her way to look gorgeous. If any random stranger were to comment on her style, one might say she’d be a very gorgeous girl if she would only fix herself up a bit more. A little blush, a little mascara. Some would even say it seemed like she tried to underplay her figure. And they would be right.

Millie went through all the typical teenage trauma: terrible skin, awkward growth spurts that left her body out of proportion and gawky, bad fashion choices. Middle school was a terrible time for Millie. Her fragile self-esteem couldn’t carry the burden of her braces so she became a hermit. But, once Millie hit high school, she had outgrown her problem skin and no longer needed her braces. Something else happened to Millie as well. She grew breasts. Big, round, beautiful breasts.

While other girls were developing early, Millie remained flat and frustrated. Millie’s mother swooped in to save the day with a typical Mom’s “when I was your age” speech. She assured Millie that one day she would develop and that she was just a "late bloomer." Millie always cringed at that awful and outdated expression.

“I didn’t develop until I was fifteen,” her mother told her one day. This did make Millie feel a little better and even more so when she looked down at her mother’s chest. Despite being a forty-two-year old woman who breastfed both Millie and her little brother, Billie (which consequently did lead to a bit of sagging) Millie’s mother had quite an ample bosom.

Those will be mine one day Millie thought to herself in wide eyed wonder.

Sure enough, that summer, Millie began to grow. It was as if a signal were sent to her breasts telling them they were lagging behind. And they were catching up very fast. A few weeks and several trips to the mall for new bras later and Millie had a beautiful new figure. She could only imagine the surprise on the faces of all those she knew when she came back to school with one new hairdo and two perky breasts. She was even asked by a few envious girls if she had a boob job over the summer!

Millie’s beautiful new body did backfire to some degree. Not only did she feel good about her new body, so did a lot of the boys in her grade. Millie’s new look lead to lots of attention from her male classmates. Some of it was good but most of it was creepy. Millie would sometimes catch guys staring at her chest in class. This made Millie very uncomfortable and so she withdrew from people again. She also began to wear the most unflattering clothes she could find. Millie was insecure in middle school because she felt she wasn’t pretty enough and now, in high school, she was feeling insecure for being too pretty. She wondered if she’d ever feel good about herself like the other girls.

To get her mind off of her troubles, Millie would draw. It seemed Millie had a hidden talent for art, a talent found while seeking solace from the cruel world when she was “ugly.” As Mille battled through her awkward period, her weapons were pencils and paper. Millie expressed her emotions through her art. Even Millie’s mother was surprised at her daughter’s talent, as she could barely draw a stick figure man. Then, she remembered Millie’s father used to draw when he was a very young child. Perhaps it was another gift he passed along besides his nose and deep gray eyes.

What once was a passion for Millie fizzled itself into a hobby once school started back. She wasn’t able to draw very much until she was able to take an art class. Her teacher, Mrs. Bentley, was thoroughly impressed with Millie’s work and encouraged her to enter the different local art contests that were held in the area. She entered in several, placed in many and even one a few first prize ribbons. Not too bad for an amateur artist.

Millie fell in love the day she was harassed by a group of football players in front of her locker after fourth period. She was exchanging the books in her backpack when Peter (known as Pete the Perv to all the girls in school) walked up to her and put his elbow on a locker next to hers. Standing next to him was his right hand man, Kent. There were two other guys standing with them but she didn’t know their names. They were in a grade below Millie and the only people Millie knew were people with which she shared classes. But, Millie knew that collectively they were known as the Circle Jerks, not only because they were jerks, but because a year earlier they were all caught by Coach Bowers in the locker room engaging in a mutual masturbation session. No one dared call them that to their faces, though, as the few people who did ended up with bloody noses and bruised bodies. But, when they weren’t within earshot, people would say under their breath, “Watch out, the Circle Jerks are coming!” Then, people would scatter like dropped marbles. And they scattered for good reason. Pete the Perv was the leader of the sleaze gang and he was the biggest womanizer to ever enter Green Hills High School. He was a serial cherry popper and was proud of it. His two passions in life were football and sex, not unlike other men, but Peter just took it way too far.

Peter relied on his good looks and fake charm to bag the girls. He wasn’t a stunning looking guy, but he did have a boyishly handsome face and a decent body from all those years of being on the football team. It also helped that he was rich. He went through condoms like Kleenex. Peter would find a pretty young (and naïve) girl, make her feel like she was the prettiest girl in the world, then, just as he would gain all of her trust, he would have sex with her and then dump her. That is, unless she was a great lay. In that case, he would bang her a few more times and then dump her. His philosophy was “befriend 'em, bed 'em, then beat those bitches to the door!”

Peter left a seemingly endless trail of broken hearts and broken hymens. After being used, the girls were confused and more than anything, they were angry. Despite his experience, Peter wasn’t very good in bed. He wasn’t very well endowed, either, and didn’t know what to do with what little he had. And although these poor young girls were virgins, Pete liked it rough. He would mount them and then drive himself into them as hard as he could, pump a few times and then climax, releasing the most unattractive squeal of satisfaction. But, the girls were never satisfied. And because of the way he had viciously violated their insides, they were not only left with bruised hearts, but with bloody bed sheets as well.

Millie silently groaned to herself when she saw Pete the Perv and his gang come up to her.

“Hey, there, Millie,” he said it a sickeningly sweet voice. He barely knew Millie and had never even spoken to her until he noticed the two attractive growths on her chest.  His glassy brown eyes zoned in on the buttons of Millie's cardigan, the way the fabric stretched across her breasts, the way they slightly rose with her breath.

“Hi,” she said in a politely dismissive tone. Millie quickly zipped up her backpack, crossed her arms over her chest and gave Peter a politely dismissive smile.  She tried to walk away but Peter stopped her and softly grabbed her arm. The spot where Peter put his hand sent ripples of goose bumps up and down Millie’s arm.

“So, I noticed you’ve done some growing over the summer,” he said in a cocky manner. His tongue poked out of his mouth and slid across his thin lips, leaving them wet and shiny.  Kent and the other two were leering at Millie. She could actually feel their eyes fondling her chest. “Can I squeeze them?”

Peter wasn’t good with tact.

“Okay, I’ve really got to get to class,” Millie said firmly. She shrugged off Peter’s arm and started again when he stopped her again. He grabbed her arm once more, this time a little harder.

Peter stepped closer to Millie, his thin, wet lips only centimeter's from her ear.

“I don’t think you answered my question,” he said, almost hurt.

“The answer is no,” Millie said flatly.

“No one says no to Peter Caravelli,” Pete said, as if she should have known better.

“Well, I just did.”

Peter’s grip on Millie tightened until he started to hurt her. Millie’s eyes grew wide with fear. Peter started to say something else when a booming voice interrupted his own.

“Hey! Stop it, Peter!” Greg shouted.

Peter looked over and saw Greg walking up to him. He let go of Millie and then smiled a sickeningly sweet smile at Greg.  It was the kind of smile he'd flash anytime he got in trouble or if he was trying to impress a girl.  Millie could see how his smile would soothe anyone he angered and trap any girl he wanted to conquer.  It was a good smile, an attractive smile, one that lit up his whole face and invited his eyes to become brighter.  It was deceiving.  If she didn't already know what a sleaze he was, she might have been charmed.

“We were just having a nice conversation,” Peter said.

“I highly doubt that. Now, why don’t you and the rest of the Circle Jerks go away,” Greg said.

Fire rose in Peter’s eyes. The sweetness on his lips dried up into a frown.  If it were anyone else but Greg, that person would have been paralyzed. But, Greg was probably the best football player on the team and Peter looked up to him for his skill, respected him. Peter let it go because it was Greg. He and Kent and the rest of them slinked off down the halls and out of sight.

Millie and Greg locked eyes. In that split second, Millie felt something she had never felt before.  She felt love for a man. Her father died when she was three and she had no memories of him.  Any that she might have had when she was younger slowly faded away with age. She had no uncles and only a few male cousins but they lived out of state so she never saw them. It was mainly just her and her mom. Millie never had a male figure in her life. Millie had never loved a man before. That was, until now. And in that split second, she not only felt love for Greg for saving her from Peter, but she felt a lifetime of love for him. She fell in love with those brown eyes of his and fell in love with his heart.

Millie knew of Greg, just like she knew of a lot of people without ever actually knowing them in person. Millie knew that Greg was on the football team and that he did well in school. She also knew Greg wasn’t a typical dumb jock. His name was always found on the honor roll and he would speak to everyone in the halls, no matter if they were rich or poor, black or white, gothic or preppy. Greg was just a friendly guy who had love in his heart for everyone and he spread that love around. And now Millie was catching some of that love and sending some back to him. Millie had always found him attractive from far away, but now that he was closer, she could see what a truly handsome guy he was. His short, cocoa colored hair shined like glass under the florescent lights. If Millie had to define its style, she would have said “just after sex bed head.” Greg was tall, over six feet Millie guessed, and quite lean. He wasn’t muscle bound and he certainly wasn’t skinny, but just the right amount of muscle. His tight t-shirt defined his toned arms perfectly. He was a shirt and jeans kind of guy, wearing his letterman jacket on cold days. His sparkling eyes always gave off a sense of warmth and openness. The brown reminded her of hot chocolate and she was instantly comforted by them, warmed by their gaze. Greg’s skin took on a golden hue due to his many football practices outside. And now that he was smiling at her, Millie noticed his teeth. They were pearly white, but not perfect. His right canine tooth slightly crossed his lateral incisor. This broke Millie’s vision of his perfection at first, then only reinforced it. That slightly crooked tooth showed that Greg was real, not some unattainable Adonis. He was genuine. His imperfections made him perfect. Millie called them his “unperfectly perfect” teeth.

“Sorry about Pete the Perv,” he said.

“Oh, um, it’s okay,” Millie stammered. “I guess it’s a good thing you came along. Since he’s your friend he listened to you when you told him to leave.”

Greg laughed and Millie melted underneath the sound.

“He is not my friend! He is on my team, but that’s where our relationship ends. He’s a total jerk and treats women terribly.  Actually, he treats everyone terribly.  Listen, if he ever gives you trouble again, just let me know, okay? I’ll have a talk with him. For some reason, he listens to me.”

Millie fell a little more in love with him. He not only had a beautiful face, but a beautiful soul as well.

“I’ll do that, thankyousomuch,” she said way too fast, a huge smile spreading across her face. The intensity of his beauty was too much for her to take and Millie had to look down at her shoes.

“Well, I think the bell is gonna ring soon.  I gotta get to class before I'm late. I’ll see ya around, Millie. It’s Millie, right?”

Oh, my God! He knows my name! He knows my naaame!

“Right!” she said in a high pitched giggle. Millie heard the word reverberate in her ears and quickly realized how stupid she sounded. She wanted to die.

Greg only smiled his “unperfectly perfect” smile and then waved goodbye to Millie before heading off to class.

Millie’s smile only grew as she closed her eyes and sunk in the events of the last few moments. She thought to herself, I just talked to the man I’m going to marry.

Although Millie had never had a crush on a boy before, she knew that this wasn’t just a normal crush. She knew this was real, true love. Millie never doubted her feelings for one second. She was enamored with this Greek god, this beautiful being who had swept in and swept her off her feet while protecting her from Pete the Perv.  The shrilling sound of the bell crashed inside Millie's head and brought out of her daydream romance with Greg.  She practically floated to class.

Memories flooded back to Millie as she stood on the football field. She recalled her first meeting with Greg and the encounter with Peter. A streak of hatred ran through her body at the mention of Peter’s name, although she didn’t know why. Millie had forgotten a lot of things over the past few days. Or weeks, or months? Millie put one hand through the chain link fence and pretended the material between her fingers were Greg’s fingers. She caressed the fence in hopes that somehow she could transfer the sensation of her fingers over to Greg just by the power of her heart. Millie looked down and noticed a red card in her other hand. She turned it over and looked at it. A Valentine. Suddenly, Millie remembered. It was Valentine’s Day. And she remembered making the card for Greg.

After meeting Greg for the first time, the next few weeks were filled with Millie seeing Greg in the hall and he would always wave and flash his flawless smile at Millie. Millie would drink up every drop and feel full for the rest of the day, satiated by the daily slices of Greg she would get to indulge in. They never had time to talk as they were always walking to their next class. Not that Millie would have spoken to him, anyway. Millie was painfully shy despite her beauty. And she doubted Greg even thought of her more than just another victim of Peter. But, she loved him regardless, whether they talked or whether she’d silently see him pass by. As long as she could look at him, she realized she was okay. He was her link to her world. And her world was Greg.

Millie decided to use her art to show Greg just how much she loved him. Millie didn’t have any pictures of Greg and would feel way too awkward asking for one, so she dug out her old yearbook from the year before and found Greg’s picture. He looked younger in the picture. His face was a bit fuller, his hair a bit longer, but that smile was still the same. And those beautiful eyes. Millie decided to take Greg’s proportions from the yearbook and draw him as he was today, more mature, more chiseled, more beautiful. Millie never had a problem drawing people. Sometimes she was so good the drawing would look photo realistic. But, knowing the picture was going to go to her future husband, Millie put herself under a lot of pressure and she had a hard time getting it right. After several nights of crumpled paper and broken pieces of chalk, Millie finally finished. She stood back, her cheeks and forehead smudged with charcoal, and was happy with the final product. She just hoped Greg would be as well.

Millie had planned on giving the drawing to Greg the next day, but before she could put the picture away, she had second thoughts. Would that be weird? Would he think I was a creepy stalker? We’ve only talked once. What if I scare him away? No, I can’t do that. I can’t give him this picture. Milie put the drawing of Greg away in one of her drawers.

Now, looking down, she remembered that she realized it wasn’t weird or creepy at all, but a beautiful thing to do for someone else. And she felt in her heart he’d think so, too. Millie was struck with many realizations in the moment that she glanced down at the Valentine card with Greg’s picture in it. Millie remembered her newfound bravery in the decision to give the picture to Greg. Her head began to spin with memories and realizations.  Millie wanted to express her love for Greg even though she knew he would never fall in love with her. Without the worry of wondering about his reaction to her declaration of love for him, Millie knew she’d be able to give him the picture with a little Valentine thrown in, in honor of the big day. Millie knew Greg wouldn’t fall in love with her. Everything was coming back. It was very clear in her head now. Millie wasn’t feeling insecure, only certain of this. She wasn’t worried about her silly problems she used to have. It’s not that Millie didn’t feel pretty enough or thin enough. No, Millie had a much bigger problem.

Millie was dead.

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Thursday, July 30, 2009

Zombie Nation

Written November 2008.

One of the defining moments of my life was when I witnessed a man eviscerated by a handful of human-like creatures. They gathered around him and pulled him to the floor, plunged their rotting hands into his torso, tore his skin like sheets of paper, and removed his guts before biting into them. I sat on my couch, wide eyed and amazed. I had never seen such a beautifully grotesque display of violence in my young life and I was both frightened and fascinated. I never looked away. Neither did the camera. It remained centered on the creatures as they tore the man apart and ate him, documenting the unfortunate man’s death in unflinching entirety. This scene is from the movie Day of the Dead, a horror gem about a world overrun with zombies. At the time, I was a fifteen-year-old gore hound who was on the hunt for scary movies notorious for their high levels of blood and guts. I had heard that Day of the Dead was quite the splatter fest and once the credits rolled, I was not disappointed. I had been a casual horror movie fan before but after seeing the man being turned into human lasagna, my love for horror movies, especially the zombie genre, was clenched.

People have often asked me why I am such a zombie enthusiast and I’ve never had an adequate answer. I suppose I have never really thought about it before. It’s like asking someone why they love sunshine or their children. I just do. So, instead of just giving a half mumble the next time someone asks me about my zombie obsession, I decided to examine my love for zombies and come up with a deeper reason for my attachment to the atrophied.

I can trace the source to director George A. Romero’s Dead trilogy, consisting of the movies Night of the Living Dead, Dawn of the Dead, and Day of the Dead. I’m not including his latest zombie efforts, Land of the Dead and Diary of the Dead because they were not influential in my love for the zombie genre. Plus, I think they are abysmal films and don’t acknowledge them as belonging to Romero. His Dead films are not only famous for redefining what a zombie is but also for the social criticism that is embedded within each film. It all started with the original 1968 Night of the Living Dead, a movie that initially started out as a horror comedy about a group of alien teens. It was a controversial film of its time. Many claim it’s a critique of the turbulent 60s by including such topics as racism and sexism. Romero himself has denied any intentional commentary despite the fact that the themes of race and sex continually occur in each of his films. Many critics panned the film for the explicit violence during the scenes in which zombies feasted on human flesh. While Night of the Living Dead touched on relevant topics of the 60s, Dawn of the Dead dealt with 1970s consumerism. An excellent example of this theme comes from an exchange between two of the main characters, Francine and Stephen.

From the roof of the mall, they observed the zombies down below and Francine asked, “What are they doing? Why do they come here?”

“Some kind of instinct,” Stephen responded. “Memory of what they used to do. This was an important place in their lives.”

While watching Dawn of the Dead, I started to realize the deeper meaning behind Romero’s films. The image of mindless people shuffling around the food court really stuck with me. I wasn’t sure if I was watching a movie or a documentary. The film also follows up on the previous entries’ theme of race by once again casting a black man in a lead role. While the first film never directly addressed race, the beginning of Dawn throws it in your face with a scene consisting of a group of SWAT members slaughtering the Puerto Rican and black Caribbean residents of an apartment building. It also seems that Romero makes up for his less than positive portrayal of females in Night (the character of Barbara is basically comatose and helpless throughout the entire movie) by making the character of Francine a bit stronger than her predecessor. In fact, the actress who played Francine, Gaylen Ross, refused to scream because she felt it would weaken her character. Day of the Dead, undeniably the most depressing entry in the Dead series (as well as my favorite), focuses on how to deal with the dead from a scientific and military standpoint. Dr. Logan, one of the scientists, wants to cure the zombie plague and domesticate the reanimated dead in the mean time. However, the head of a group of soldiers, Captain Rhodes, would rather exterminate them all and anyone else who gets in his way. Day really examines how cruel humans can be to one another. Dr. Logan feeds Rhodes’ men to the zombies as treats for their good behavior while Rhodes is ten shades of nasty, a completely unredeemable character that becomes more psychopathic and power hungry as the film progresses. The only seemingly sane character is the main female lead, Sarah. She is the definitive answer to Barbara from Night. Sarah is a fellow scientist, strong and not afraid of Captain Rhodes, his slimy advances or his very big gun. While none of the characters in any of the movies are incredibly likeable, the characters in Day are horrid. Admittedly, they have reason to be bitter. Every thing they’ve ever known has collapsed and every one they’ve ever known has died but instead of coming together to support one another, they slowly turn on each other. There is no human compassion, only selfish hatred. In each movie, the handful of survivors end up becoming a danger to each other for no other reason than they each feel they should be dominant and take control of the dire situation. What started out as survival soon turns into a power struggle. It becomes quite apparent who the real evil is in these movies. The deeper the characterization goes, the more the zombies become less of a threat and more of a supernatural backdrop to the real horror found inside the house, the mall, or the underground bunker. The real threat lies in the minds of the people who are still breathing.

Although there is never a clear explanation as to why the dead have risen, in Night, it was theorized that radiation was the cause. Others speculated that it could be parasitic in nature. One of the main characters in Dawn, Peter, gave his theory by saying, “My granddad was a priest in Trinidad. He used to tell us, 'When there's no more room in hell, the dead will walk the earth.'" This statement implies that people are sinful and their evil ways earn them a place in hell. And since hell has suddenly become full, that must mean that a lot of people ended up there. If this is the case, then humans have brought this plague upon themselves. In typical horror movies, death and destruction come upon mostly innocent teens who just want to have a little smoke and a little poke. But with zombies, we deserve the wickedness that reigns down on us because we are wicked ourselves.

The zombie is my all time favorite monster. Zombies themselves aren’t exactly fear inducing. The fact that they are dead is certainly unsettling but physically they are slow and not entirely strong so disposing of them wouldn’t be too difficult. It is only when they are in large numbers that one should start to worry. It is the emotional quality that zombies possess that is bone chilling. What exactly is a zombie? They are not totally separated from humans. They are humans. They are just dead humans. They do not transform into rabid dogs during full moons or become bloodthirsty albinos by swapping bodily fluids with pale Romeos. They are not physically different like a werewolf is and yet they cannot conceal their identities like a vampire can. Physically, they are still like us until they begin to rot. Even then, there is still a semblance of humanity left on their withering faces. This triggers a psychological conundrum within us because we don’t know if we should sympathize or euthanize. It’s one thing to destroy a prehistoric creature from the depths of a cave or a fish monster that’s suddenly come to shore but how easy could it be to shoot a person? Zombies aren’t inherently evil. They are us, only primitive, stripped of all logic and only left with instinct and the most basic physical functions. They are simply trying to live as we try to live. This makes their disposal all the more conflicting because while they commit atrocities, they do not do it out of spite or anger like humans, only out of an instinctual need to survive. It is especially disheartening when you have pre-existing feelings for one of the undead. How easy would it be to destroy a person you know, a person you love? Could you shoot your best friend? A relative? Your mother? Your child? The fact that these zombies are quasi-human makes their destruction hard to comprehend and even harder to execute.

When the dead rise from their graves, no one will be able to help you. In Romero’s Dead trilogy, as well as countless other zombie films, society will eventually break down. The government, military, and other forces that we’ve always assumed would keep us safe will fail. We will be left alone to fend for ourselves. A sense of overwhelming dread comes along with zombie movies. They are horror on a grandiose scale. It is inescapable. This adds a sense of isolated terror because not only is it happening in your own backyard but all the way across the world as well. There is no safety.

In my life, I haven’t had the best experiences with people. Because of this, you could call me cynical. I would probably agree with you. I’ve been hurt by girls and friends and girlfriends and those moments have left an abiding bitterness in my mouth. My negative experiences with certain individuals have shaped the way I see people as a whole. Watching zombie movies has only verified my views of others. Not only are zombies former humans, many times humans act a lot like zombies. I think back to all the times I’ve let people in and they’ve let me down. The people I thought were friends were only using me to get to something better. I’ve been a therapist. I’ve been a placeholder. I’ve been a smorgasbord. I’ve stood around and allowed people to take chunks out of me as they’ve needed. Isn’t that exactly what zombies do? Are we really that different from them? Is the world really that different from them? As I get older, I realize this planet is a cruel place. They say it’s a dog-eat-dog world out there and I couldn’t agree more. What some call modish I call mindless. What some call exorbitant I call empty. What some call capitalism I call cannibalism. And I’ve always said that if the world should end, it should end in entrails. I can just picture people clawing at each other, tearing each other apart for their own sustenance, people slowly being converted into mindless beings with no free will of their own. I think a zombie apocalypse would be awesome because, really, would anyone even notice?
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